An Analysis Of Types And Forms Of Code-Mixing In Indonesian Song Lyric By Saykoji

The purpose of this study was to determine the type of code-mixing and the form of code-mixing of 8 song lyrics of Saykoji in the 2006 album. This study uses the code-mixing theory of Nababan, (1984). This research includes a qualitative description. This study used the Independent See-Engage-talk Technique (TSBLC) and Technique Direct Element (BUL) to analyze the data. This study focuses on the type of code-mixing using theory Suwito's (1983), and the form of code-mixing using theory Suwito's (1995). After conducting the analysis, there were sixty-six (66) data found in the code-mixing type and fifty-seven (57) data in the code-mixing form. According to Suwito, there are two types of code-mixing, namely Inner and Outer. After being analyzed, it was found that the Inner code-mixing in eight (8) Saykoji song lyrics was 15 (22.72%) while the outer code-mixing was found to be 51 (72.27%). The form of code mixing according to Suwito consists of six namely word, phrase, baster, repetition, idiom

Code-mixing not only occurs in someone's conversation, but code mixing can also occur in song lyrics.The song is a work of art that combines sound art and poetic language art, concise and rhythmic language (Kristiyanti, 2012).The song is very develope until now.In everyday life, one can not be separated from the song.Every day, people enjoy songs through Youtube, Mp3, radio, smartphones, and other media.There are several rap singers who are quite famous among millennials using code-mixing in their song lyrics, such as Young lex, laze, Tuan Tigabelas, Iwa K and even Saykoji.People use two languages in song lyrics to communicate with listeners.In this study, the writer is interested in discussing one of these singers, namely Saykoji.Saykoji is a Rap based singer.Saykoji is known to the public through his first album in 2006 and is known as a rapper with the song Online.Saykoji is a stage name only.His real name is Ignatius Rosoinaya Penyami (Puspitasari, 2021).Saykoji uses his songs as a medium to tell anything about life through rap.In this 2006 album, the writer found the code-mixing contained in the song lyrics.Although there are some singers who use code-mixing in their song lyrics, the writer chooses Saykoji because the song from Saykoji on this 2006 album has never been researched before.The song is viral among the younger generation until now.Saykoji is a rap singer who is quite reckoned with in Indonesia (Saykoji -Info Sekolah, 2022).Saykoji has won several Anugerah Musik Indonesia awards in the Best Rap/Hip-hop production category.Therefore, the writer will conduct research on code-mixing in the lyrics of Saykoji's song entitled 'An Analysis of Types and Forms of Code-Mixing in Indonesian Song Lyric By Saykoji' ISSN : 2809-9508

METODE PENELITIAN
In this study, the writer used qualitative research.Qualitative research is a type of research that is descriptive, tends to use analysis, and shows a process of meaning.According to Muhammad Rijalfadi (Trudgill, 2000) qualitative is understanding human phenomena or understanding human or social phenomena by creating a comprehensive and complex picture that can be presented in words, reporting detailed views obtained from people.

Data Source
Data sources are divided into two, namely primary data and secondary data.Primary data is data that is obtained directly while secondary data is a source of additional data that is not obtained directly (Nugrahani, 2014).In this thesis, the writer has primary data where the writer gets the data directly from the source, namely the song lyrics from the Saykoji album 2006 which will be analyze as many as eight (8) songs

Data Collecting Method
In this study, the writers collected data by using the heed method (Simak) with the independent see-engagetalk technique TSBLC.According to Sudaryanto, the heed method simak is doing a data that has been provided to listen to the use of language (Istiqomah, 2013).Mahsun, (2005) the heed method simak has an advanced technique, namely, see-engage-talk technique, independent see-engage-talk technique, note-taking technique.The writer uses the independent see-engage-talk technique TSBLC.The independent see-engage-talk technique TSBLC is a technique that is not directly involved in which the researcher is only an observer in the use of language (Mahsun, 2005).So, in this study, the writer uses the independent see-engage-talk technique TSBLC as a follow-up technique because this research is not directly involved in the discussion to be studied, the writer only listens to the lyrics of the song from Saykoji which contains the code-mixing.
Next, in listening the writer carried out the data collection process by listening to the song from saykoji repeatedly, then the writer paid attention to the data containing code-mixing in the lyrics of the saykoji song.The writer notes the code-mixing word as the realization of the note-taking technique.Then the data is classified based on the type of code-mixing and the form of code-mixing.

Data Analysis Method
After the data is obtained, the writer analyzes the data.According to Ardana in Silaban & Marpaung (2020), data analysis is the process of compiling data strands, organizing them into a basic descriptive pattern and also categories.In this analysis, the writer uses the Agih method.Sudaryanto said the Agih method is a method in which the meaning of the determinant is the parts according to the language to be studied (Kusuma 2007:54).The technique in this method has two techniques, namely the primary technique and advanced technique (teknik lanjutan) (Sudaryanto, 1993).The technique used in this method is the primary technique (teknik dasar) in the form of Technique for direct elements (teknik bagi unsur langsung-BUL).This technique is used to divide data linguistic units into relevant elements to form these linguistic units.In the Agih method using the technique for direct element, it is used to determine the form of code-mixing in the lyrics of the Saykoji song.Next, are the steps taken by the writer to analyze the data.The data that has been obtained is then classified based on the type and form of code mixing in the eight (8) Saykoji songs.The theory used in this type and form of code mixing is the theory of (Suwito, 1983) and (Suwito, 1985).Then the writers make conclusions based on the analysis that has been done.

HASIL DAN PEMBAHASAN
In this chapter, the writer classified the data based on the type and form of code-mixing.The data to be obtained is from the Saykoji album which contains seventeen (17) songs, but for research purposes, only eight (8) songs be studied.The writer found code-mixing in the form of types and forms.For the types and forms contained in the song, the researchers analyzed using the theory of Suwito.In this type, there are inner code-mixing and outer code-mixing, while in the form there are words, phrases, baster, repetition, idioms, and clauses.

Type and Form of Code-Mixing
The writer classified data about the type and form of code-mixing.In the type of code-mixing, the researcher uses theory Suwito (1983), namely inner code-mixing, and outer code-mixing.Inner code-mixing is an element of mother ISSN : 2809-9508 tongue and regional language.Meanwhile, outer code-mixing is the mixing element of foreign languages.While in the form of code-mixing, the writer classify it using theory Suwito (1985) which consists of six (6) forms, namely word, phrase, baster, repetition, idiom, and clause.

Type of Code-Mixing
Based on the classification of the data of the Saykoji song lyrics, it can be discussed the type of code-mixing below:

a. Inner Code-Mixing
Inner code-mixing is code-mixing resulting from the insertion and variation of linguistic elements in a regional or national language.After classifying the data from the lyric of the Saykoji song, the writer found data that contained inner code-mixing.Some data will be discussed below: The word 'gue' from data 20 in the table above is inner code-mixing in the lyric of the Saykoji song entitled 'Cerita Baru'.The word 'gue' is classified into the inner code-mixing type because it comes from the Betawi language which if translated into Indonesian is 'Aku'.In the lyrics of the song, Saykoji uses the dominant Indonesian language, but Saykoji also inserts a regional language in the lyrics of the song, namely 'gue'.The word 'enek' and 'gak demen' from data 22 in the table above is inner code-mixing in the lyric of the Saykoji song entitled 'Cerita Baru'.The words 'enek' and 'gak demen' are classified into inner code-mixing because they come from a regional language, namely Betawi language which if translated into Indonesian is 'muak' and 'tidak suka'.In the lyrics of the song, Saykoji uses the dominant Indonesian language but also inserts regional languages.

b. Outer Code-Mixing
Outer code-mixing is code-mixing resulting from the insertion and variation of linguistic elements in a national language with a foreign language.After classifying the data from Saykoji song lyrics, the writer found data that contained outer code-mixing.Some data will be discussed below: The word 'logic' from data 19 in the table above is a code-mixing in the lyric of the Saykoji song entitled 'Its hip-Hop'.The data includes the type of code-mixing to the outside (outer code-mixing).In the sentence above there is the word 'logic' which is an element of English that means 'logika' in Indonesian (Kamus Lengkap 100 Milliard).In the lyric of the song, Saykoji uses the dominant language of Indonesian, but Saykoji inserts English in the lyric, namely the word 'logic'.ISSN : 2809-9508 The word 'verse' from data 28 in the table above is a code-mixing in the lyric of the Saykoji song entitled 'Cerita Baru'.The pattern of code-mixing that occurs in the above data is outer code-mixing.Saykoji uses Indonesian as the language of instruction, because he is an active user of Indonesian.The word 'verse' is classified into outer code-mixing because it uses English which is a foreign language.The word 'verse' in Indonesian is 'bait, ayat' (Kamus lengkap 100 Miliard).Based on analysis, the word 'verse' is close meaning to 'bait' because in the lyrics of the song, Saykoji will tell about his journey to becoming a rapper.The word 'fighter' from data 35 in the table above is a code-mixing in the lyric of the Saykoji song entitled 'Cerita Baru'.Saykoji varies the official language with a foreign language.In the data, he inserts the English word 'fighter' in the lyric of the song which is translated into Indonesian, namely 'orang yang berkelahi' (Kamus Lengkap 100 Miliard).The writer classified the data into outer code-mixing because of the mixing of official and foreign language.

No Cerita Baru
46 Tanpa respect ku kan terus mencaci maki kau banci kau lari (Without respect I will continue to berate you sissy you run) The word 'respect' from data 46 in the table above is a code-mixing in the lyric of the Saykoji song entitled 'On and On'.The data includes the type of code-mixing to the outside (outer code-mixing).In the sentence above there is the word 'respect' which is an element of English that means 'rasa hormat' in Indonesian.In the lyric of the song, Saykoji uses the dominant language of Indonesian, but Saykoji inserts English in the lyric, namely the word 'respect'

Form of Code-Mixing
Based on the classification of the data of the Saykoji song lyrics, it can discuss the form of code-mixing below:

a. Word form
Word is the smallest language unit consisting of free morphemes and bound morphemes.After classifying the lyric of the Saykoji song, the writer discusses the data included in the word form which will be explained below.The writer only takes some data for discussion: The word 'logic' from data 19 in the table above is a code-mixing in the lyrics of Saykoji's song 'It's Hip-Hop'.The word 'logic' is a basic form of the word that comes from English.This data is classified into the form of words.The writer uses the technique for direct elements (BUL).The word 'respect' will be divided into 2 syllables, namely lo + gic.The syllable 'lo' is said to be the first syllable and 'gic' is the second syllable.Then the two syllables are combined to form one word.'Logic' is a noun.In the lyrics of this Saykoji song, the use of the word logic is intended not to be arbitrary in spreading a vision and mission to convince people that hip-hop is more than just music.into a clause form.The writer uses the Technique Direct Element (BUL) from the word 'since my birth'.The word 'since' is the first element, the word 'my' is the second element, and 'birth' is the third element.If these words are combined, they will become three-word elements.At the form of code mixing carried out by Saykoji, it is included in the clause form which is classified as an independent clause, because the speech stands alone without any other clauses that make the word perfect.So it can be concluded that Saykoji mixes the language in the form of a clause.

SIMPULAN
After analyzing the data, the writer discusses the data by classifying it into types and forms of code mixing.The data is analyzed and discussed to determine the type and form.The discussion of data 20, 22, 54, 19, 28, 35, 46, 47, 16, 49, 34, 21, 29, 2, 30, and 31 above are data containing types and forms of code mixing which representation data from several types and forms of data that have been obtained.After that, the writer classifies all data in tabular form based on the type and form of code-mixing.
The Percentage Type of Code-Mixing No Type of code-mixing Percentage 1.
Outer code-mixing 77,2 % Total 100% After analyzing and classifying the data on the lyrics of the Saykoji song, it can be seen from the percentage results above, the form of code mixing contained in the Saykoji song lyrics is the most dominant word 32 (56,14%).The second position is phrase 7(12, 2%), Idiom 6 (10, 52%), Clausa 5(8,77%), repetition 4 (7%) baster 3 (5,26%).Furthermore, the writer also found that there were forms that were affiliated in one form with another, namely in the form of word, baster, and repetition.

The Percentage of the Form Code-Mixing No
Form of Code-Mixing Percentage 1.
Clause Form 8,77% UCAPAN TERIMAKASIH Thank you to Allah SWT who has guided writer in completing this study.Also, to the parents of the writer who give support and prayer, as well as colleagues who have criticized and given suggestion for a better result of this study.

Table 4
(Yah this is a rant, im back again)

Table 4 .2.2 No Cerita Baru 22
Sempet enek sama hip hop gak demen (I used to feel bad for hip hop, I don't like it)

Table 4 .3.2 No Cerita Baru 28
Masih banyak cerita di verse berikut(There are many stories in the next verse)